Ursula Manandhar is a dedicated researcher, writer, and curator with a profound passion for preserving and interpreting Nepal’s rich cultural and artistic heritage. Specializing in Buddhist art, iconography, and philosophy, Ursula brings a unique blend of academic knowledge and practical expertise to her work. Her journey has been marked by a deep commitment to understanding the meaning and significance behind Buddhist traditions and ensuring their relevance in the modern world.
Currently serving as the Head of Research at the Museum of Nepali Art (MoNA), Ursula plays a pivotal role in shaping how Nepal’s cultural artifacts and traditions are presented to the world. Her contributions include curating exhibitions, cataloging museum objects, and publishing insightful articles that highlight the artistic and historical value of Nepal’s treasures. Ursula’s ability to connect traditional art with contemporary narratives makes her an integral part of Nepal’s cultural preservation efforts. She has also documented and interviewed numerous artists, creating a bridge between the creators and the audiences who admire their work.
Her academic foundation is equally impressive. Ursula holds a Master’s degree in Museology and Buddhist Collection Management from Lumbini Buddhist University, where she completed her thesis on the concept of private museums in Nepal. Her education has equipped her with the skills to manage and document artifacts while bringing innovative ideas to exhibition design and curation. In addition to her advanced studies, she is proficient in traditional scripts such as Rajana and Prachalit Nepal, which are essential for decoding the historical and religious texts associated with Nepal’s cultural legacy.